We set out to find 8 New Zealanders to help Iggy Pop re-record 'The Passenger' live via Orcon Broadband. From more than 200 amazing auditions we ended up with 9 incredible New Zealanders. We hooked them up to Iggy in Miami via Orcon Broadband, and this is the result... Describe the brief from the client: Orcon is a New Zealand telecommunications company. Despite offering faster broadband and superior customer service, it was relatively unknown in a market dominated by the huge corporates (Vodafone and Telecom). The agencys overall brief was therefore to raise awareness of this superior broadband offering. Our strategy was to communicate this by staging a major online event in effect a mass product demonstration - and build awareness of Orcon by engaging the nation with it. While we had to attract new customers to the brand, every stage of the campaign began by communicating firstly with existing Orcon customers. Creative Execution: Orcon is an internet company and in every aspect of this campaign, from the call for auditions, through the facebook activity to the Play live with Iggy event itself, the internet was central. While every telco talks up its product and services, the strength and originality of this campaign was that Orcon actually used its broadband to enable a world-first technical feat connecting nine Kiwis from their homes across New Zealand to Iggys studio in Miami, and re-recording the classic track 'The Passenger'. Describe the creative solution to the brief/objective. We created a world-first event, a chance to re-record 'The Passenger', live online, with Iggy Pop. Our direct response objective was two-fold: Attract a large enough pool of talented auditions to ensure we could select our virtual band. Maximise the countrys engagement with the auditioning process. The call for auditions went out first to Orcons customer base, to its facebook friends, and via online advertising. This was then extended by 15 TVCs and street posters calling for people to Play live with Iggy Pop. Entrants then uploaded auditions directly to a specially built facebook application, where they could be browsed. Describe the results in as much detail as possible. - We received 200 video auditions in 10 days, a superb talent pool to select our nine band-members from. - Auditions viewed more than 100,000 times on facebook, part of an explosion of interest in the campaign. National press, prime-time current affairs TV shows, websites and blogs all over the world picked it up. - 3,500 new Orcon facebook friends in just 2 weeks. - The campaign generated over NZ$650,000 of unpaid media coverage before the TV ad had even run. - And Orcons sales increased 30% on previous year.
Title: ORCON + IGGY POP Advertiser/Client: ORCON BROADBAND Product/Service: BROADBAND Entrant Company: SPECIAL GROUP Auckland, NEW ZEALAND DM/Advertising Agency: SPECIAL GROUP Auckland, NEW ZEALAND Creative Credits Name - Company - Position Tony Bradbourne - Special Group - Creative Director Rob Jack - Special Group - Creative Director Heath Lowe - Special Group - Creative Director Michael Redwood - Special Group - Managing Director Sascha Mortimer - Special Group - Agency Producer Hamish Wanhill - Special Group - Interactive Producer Jules Pakenham - Special Group - Project Manager Claire Beatson - Special Group - Strategic Planner Sean McCready - Special Group - Media Strategist Darryl Ward - Curious Film - Director / Director of Photography Matt Noonan - Curious Film - Executive Producer Luke Haigh - Curious Film - Editor Andy Mauger - Curious Film - Producer Nigel Mortimer - Curious Film - Flame Alfred Figueroa - Crescent Moon. Miami. - Audio Engineer (USA) John Cooper - Liquid Studio - Audio Engineer (NZ) Jordan Stone - Roundhead Studio - Audio Engineer (NZ) Duncan Blair - Orcon - Head of Brand & Communication David Joyce - Orcon - Head of Sales & Marketing Scott Bartlett - Orcon - Chief Executive Officervia www.coloribus.com